French crime fiction and the Second World War Andrew S. Thompson

French crime fiction and the Second World War Andrew S. ThompsonBy investigating representations of the war years in a selection of French crime novels from the mid 1940s to the present day, this book argues for the importance of crime fiction, and popular culture more generally, as active agents of memory in the ongoing debates over the legacies of the war years in contemporary France.

This volume brings together a distinguished group of contributors from the United States

Havana is depicted as a vibrant Caribbean city

The authors draw on theoretical approaches from a range of sources

Sydney has been represented onscreen since the earliest days of cinema

This book provides a new perspective on the work of Jim Henson

Protectorate and early Restoration

among other enduring artifacts of fandom

boundary-blurring possibilities of community arts education

practices and arguments that can lead to a literate and better represented

through industrialisation

bankruptcies and accounting irregularities

and critical theory as well as analytical readings of plays and performance events to examine how theater interacts with the otherworldly